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Materials Used:

© TheHOINK 2012

 

Pencil HB-Grade
Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Pentel Aquash Medium Size
Schminke Horadam Aquarell / Watercolours
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

Fake-Antique coloured Version of the Portrait Drawing done for the Video of vanCanto’s “If I Die In Battle” in Early 2012.

Materials Used:

© TheHOINK 2012

 

Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Pentel Aquash Medium Size
Schminke Horadam Aquarell / Watercolours
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

Illustratiion for her Birthday, done during a longer phonecall we had.

Materials Used:

 

© TheHOINK 2012

 

Pencil HB-Grade
Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Pentel Aquash Medium Size
Schminke Horadam Aquarell / Watercolours
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

Fake-Antique coloured Version of the Portrait Drawing done for the Video of vanCanto’s “If I Die In Battle” in Early 2012.

Materials Used:

© TheHOINK 2012

 

Pencil 4H-Grade
Pentel GFKP FP10 Pocket Brush
Faber-Castell Document Copy Pencil in Violett (Out of Production)
Pentel Aquash Medium Tip
Schminke Horadam Aquarell /Watercolours

 

About:

Me loves beautiful Eyes. She has the most gorgeous ones I ever saw in so called real life.
Will do more of her, for sure.

Materials Used:

 

© TheHOINK 2012

 

Pencil 4H-Grade
Pentel GFKP FP10 Pocket Brush
Faber-Castell Document Copy Pencil in Violett (Out of Production)
Pentel Aquash Medium Tip
Schminke Horadam Aquarell /Watercolours

 

About:

Me loves beautiful Eyes. She has the most gorgeous ones I ever saw in so called real life.
Will do more of her, for sure.

Materials Used:

© TheHOINK 2012

Kuretake DAY Real Sable Brush Pen Series
Lefranc&Bourgeois NanKing Indian Ink / Chinese Ink
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

 

About:

In this Gallery, all Illustrations are sorted in the order they show up in the Video.
The Project itself was launched in the Internet on 2012-05-18, but I finished my work on it the Second of April, so I wrote this date here to Most of th Galleries and Illustrations. That’s when it ended for me.

A lot of persons put a lot of effort into the video.
My personal Efforts have been (Besides some other minor things)

530  Hours of Work!
319  Sketches and Ideas!
227  Finished Pencil Drawings!
184  Inked Illustrations!!!
ONE Project!!!!!

The Credit’s Roll of the Original Video

_____________________________________

VAN CANTO

„If I Die In Battle”

From the Album “Break the Silence” (released by Napalm Records in 2011)
Music produced by Van Canto, written by Stefan Sebastian Schmidt.

Illustration and  visual concept: Björn “The Hoink” Zutt.
Cut, Post-Production and Effects: Robert Naumann (nowman.org)
Camera: AVA & Phillip Strauss.

This video is dedicated to everybody who helped us to live our dream as a metal band during the last 6 years. We did not die in Battle and we never will.

Our fans.
Our live crew, our street-team and all live promoters.
Our record company, our management, our booking agents
Our producers, engineers and guest musicians.
Our video crew.
Our graphic designers and photographers.
Special thanks to our fan-club rakka-takka.de for making this video happen and to all the great actors involved:

Eva Essinger – Christian Essinger – Oliver Rehm, Monika Überla – Thorge, Maria & Holger+ Schmiedl – Katja Schiel – Elke Schriever
Sascha Staab – Ines Plückebaum – Markus Frommann – Thorsten Huster – Stefan Reimann – Nina Laub – Christian Müther – Andreas Brand – Sebastian Krug – Nadine Brächtken – Kim  Garth – Katrin+Ronja Bärwolf – Anja Scholten – Jennifer Metz – Simon Seitz – Sascha Jung – Karim Hassine – Carsten+Ina Pleines

Yvonne „Amber“ Steinhardt – Jeanette “Netti” und Matthias „Metty“ Frank – Marc „Kenny“ Völker – Markus Heckl – Nicolas Schmidt – Henning Bach – Timm Velten – Timm Höhmann – Sebastian Paul – Kai Dennison – Marc Güldenstern – Lukas Metz – Jessica Konrads – Stefan Bernhardt – - Nils Neumann – Lisa Bappert – Constantin Frischmuth – Robert “Murdo” Heinel – Michael “Mike” Diel

Thank you so much. Rakkatakka Van Cantians!

Inga, Sly, Stef, Ross, Ike, Bastian

Materials Used:

 

© TheHOINK 2012

 

Pencil HB-Grade
Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

This text will follow, pictures are more important now

Materials Used:

 

© TheHOINK 2012

 

Pencil HB-Grade
Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

This text will follow, pictures are more important now

0037 – Burg Greifenstein – Background Element

Materials Used:

 

© TheHOINK 2012

 

Pencil HB-Grade
Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

This text will follow, pictures are more important now

Materials Used:

 

© TheHOINK 2012

 

Pencil HB-Grade
Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Hahnemühle Nostalie Drawing Paper 190g/qm – A4 Sheet (21×29,7cm) – 8×12 Inch approx.

 

About:

This text will follow, pictures are more important now

Materials Used:

© TheHOINK 2006, 2012

 

Pencil 6H-Grade
Kuretake Real Sable Brushpen
Pentel GFKP FP10 Pocket Brush
Pentel Aquash Medium Tip
Schmincke Horadam Artist Watercolour
Schmincke Akademie Acrylic Colour

 

About:

Re-Brushed revisit to one of my friends, family and fans favourite little characters I ever drew until now. (Well, and he’s a big favourite of mine, too) I felt somehow I need to reBrush the old works on new papers, since it has all been black and white and was done on 80g/qm, plain copy paper and did not look all that well and clean any more after six years.
I guess it was worth the trouble, it looks fresher then before.
And helped me set the tone for “Mortimer” and thinks to come for him and his Daddy.

About the Original:

This little comic was an Excercise for my Studyings. Absolutely had no idea what to do, until one Night at 5 AM I listened to the news, where a backing company got an award for having changed all their system machines from acoustical to visual signals, so a mute and deaf boy could start his education there.

Heavily impressed Me. Still does.

So I asked myself, why there aren’t more innovative companies and ideas like this. After all, everybody needs work. And every human needs a few things, always, like Food, Beds, Houses and …. well, basically every living being needs Food, Sex and will die one Day. But the worlds population grew from 1 Billion in 1900 to almost 6,5 Billions in 2006… maybe death needs an apprentice, too? Or son?

A few Hours later this cartoon was my result.

Hope you enjoy it.

Materials Used:

© TheHOINK 2010 - © Original by Jean-Louis André Théodore Géricault 1819

Pencil 6H-Grade
Linen Oil
Titanium White Pigment
Chalk-Powder
Gelatines
Derwent Oil-Colours
Reeves Oil-Colours
Some No-Name Oil-Colours
Different Cheapest Natural Brushes
Different Cheapest Synthethic Brushes
Schmincke Akademie Acrylic Colours
Canvas – 90x70cm – 28×20 Inch approx. A Single One
Whole Project Illustration: 270x210cm – 84×60 Inches approx.

 

About:

The Background scenery for a planned social-criticism-play for the “WALI – Arbeitsloseninitiative im Lahn-Dill-Kreis”, or the “Wetzlarer Arbeitsloseninitiative”, so to speak.
Had to work with different people who all added their one to five hours of work.  All people involved have been totally untrained except for my father and me.
The Canvases have been screwn together so you could unloosen them and transport the whole scenery-background as a smaller package inside of every car without damaging it.
The Canvases have been prepared like antique Ones.
The whole project in the end used around 500 hours of work and preparation divided onto almost 4 months.

Materials Used:

© TheHOINK 2010 - The Chojin os Copyright of "Toei Japan", as far as I know

Pencil 6H-Grade
Kuretake DV140-40 Real Sable Brushpen
Lefranc&Burgeois – NanKing  Indian / Chinese Ink
Pentel Aquash Medium Tip Waterbrush
Schmincke Akademie Acrylic Colours
Canvas – 70x90cm – 28×35 Inch approx.

 

About:

Urotsukidoji – The Legend of the Overfiend!

The First Movie is a legend, too. By the Creator of Devilman, this Movie has a lot going for or against it, depending on personal views and tastes. It has a bittersweet tragic lovestory, splatter-effects, horrormoments, great creature designs, sexually explicit scenes (which in the end ALL belong and add to the storyline) imaginative backgrounds and for the time it was made it was quite effective and well done.
Soundtrack to me still is a blast today. Especially the scenes with the Chojin and other Kajus, like Mao, Demon of the Ocans Track.